Graffiti is one area of street art that appears to divide feeling the most. The issue of whether it’s art or not is one which we’ve all been involved in.
Yet when it comes to tagging, the vast majority would likely concur that it’s the most repulsive sort of street art. And, what’s significantly more irritating is that it’s quite often illegible. But there’s one man who takes the ugly pieces and transforms them into beautiful, legible artwork.
The name is Mathieu Tremblin. Based out of two diverse French urban cities, Rennes and Arles, Tremblin has an inconspicuous method of making people think somewhat harder.
Tremblin’s work concentrates on issues of ordinary city life, branding and graffiti society. He believes that these pressing issues are best communicated through urban interventions. His pieces figure out how to emerge in Europe’s swarmed graffiti scene, with his greatest works featuring a minimalist look at first impression, just to uncover testing, however, energetic goes up against city culture.
Works and Ideologies
Most of his art can be seen in his two French hometowns. There, he collaborates with his accomplice in the art scene “Ripoulain” and with photography collective “BIP”. His work can also be found in the Netherlands, Belgium and Germany.
Project Tag Clouds was born out of Tremblin’s understanding as a street artist. He used to be a tagger and felt the name composing graffiti and particularly tagging, is the ground premise of self-expression in an urban space.
The artist discovers graffiti tags on buildings, highway underpasses in French towns and garage doors. He lists them, erases them and re-paints them in clear, digital-style typeface – Arial, Times New Roman, Helvetica or Georgia. Tag Clouds is about uncovering that tagging on the chance that you follow and read it; it’s an approach to go through the city in a new perspective.
By using digital typeface, Tremblin doesn’t just make the words neat-regardless of the possibility that they don’t appear to bode well-but additionally makes likenesses to ‘word clouds’ found online, considering on the contrast amongst advanced and physical tags.
Tremblin’s interventions are a celebration of graffiti tags rather than a critique. Random graffiti writing used to be viewed as the ugly art in the city but Tag Clouds is out to make a tribute to random writing so that individuals accepts its visual presence by reading it.
Mathieu believes street art tagging is a reaction to an undeniably ‘consumerist space’ in urban areas, brimming with advertising on every surface. And that according to him diminishes the individual articulation of residents to a matter of decision between brands.
Tremblin’s art continues to inspire many cities, appearing as analysis on a particular point as examined in his work. His work makes a city more energetic, poetic and open to appointment. He’s still open to the idea that can notice and destroy his work since vandalism is in itself an approach to make destructive conversation. Hope you’ll love and appreciate his work, though.